Half Step Down left-handed scale chart
D Major Left-Handed Guitar Scale Chart
Major scale notes, mirrored lefty fretboard positions and standard tab in Half Step Down.
D Major in Half Step Down tuning gives you the notes D, E, F#, G, A, B, C# across a mirrored left-handed fretboard. Half step down preserves standard geometry while lowering the overall pitch, which makes it a comfortable next step for left-handed players adapting shapes from common lesson material. Use the mirrored chart to keep the bass side on the far right, then compare the unchanged tab underneath when translating mainstream lessons.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|------------------------------------------1--3--4--| A#|---------------------------------1--3--4-----------| F#|------------------------0--1--3--------------------| C#|---------------0--1--3-----------------------------| G#|---------1--3--------------------------------------| D#|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
D#|------------------------------------------1--3--4--| A#|---------------------------------1--3--4-----------| F#|------------------------0--1--3--------------------| C#|---------------0--1--3-----------------------------| G#|---------1--3--------------------------------------| D#|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
D#|---------------------------------------------4--6--8--| A#|------------------------------------4--6--8-----------| F#|---------------------------5--7--8--------------------| C#|------------------5--6--8-----------------------------| G#|---------5--6--8--------------------------------------| D#|4--6--8-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
D#|---------------------------------------------10-11-13-| A#|------------------------------------9--11-13----------| F#|---------------------------10-12-13-------------------| C#|------------------10-12-13----------------------------| G#|---------10-11-13-------------------------------------| D#|10-11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D#|------------------------------------------15-16-18-| A#|---------------------------------15-16-18----------| F#|---------------------------15-17-------------------| C#|------------------15-17-18-------------------------| G#|---------15-17-18----------------------------------| D#|15-16-18-------------------------------------------|
14-18 frets • 17 note position run
Position 5 Tab
D#|---------------------------------------------18-20-22-| A#|------------------------------------18-20-21----------| F#|---------------------------19-20-22-------------------| C#|------------------18-20-22----------------------------| G#|---------18-20-22-------------------------------------| D#|18-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Major feels bright, open and strongly resolved and is useful for melodic hooks, clean chord melody and pop or country lead guitar.
If a right-handed lesson tells you to shift a major shape up the neck on the low E string, that string sits on the right edge of the chart here.
Land clearly on the 3rd and 7th so the major colour stays obvious
Half Step Down feels familiar but slightly darker and looser. It keeps your lefty chart recognition intact while changing the feel under both hands.
- D
- E
- F#
- G
- A
- B
- C#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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