Open C left-handed scale chart
G# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Open C.
G# Phrygian Dominant in Open C tuning gives you the notes G#, A, C, C#, D#, E, F# across a mirrored left-handed fretboard. Open C gives the guitar a large low register and a broad major framework, which is ideal for cinematic left-handed accompaniment and layered rhythm parts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
2-6 frets in mirrored left-handed view
11-15 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|------------------------------------------------0--2--4--| C|------------------------------------0--1--3--4-----------| G|------------------------------1--2-----------------------| C|------------------0--1--3--4-----------------------------| G|------------1--2-----------------------------------------| C|0--1--3--4-----------------------------------------------|
0-4 frets • 19 note position run
Position 1 Tab
E|------------------------------------------------0--2--4--| C|------------------------------------0--1--3--4-----------| G|------------------------------1--2-----------------------| C|------------------0--1--3--4-----------------------------| G|------------1--2-----------------------------------------| C|0--1--3--4-----------------------------------------------|
0-4 frets • 19 note position run
Position 2 Tab
E|---------------------------------------------2--4--5--| C|------------------------------------3--4--6-----------| G|---------------------------2--5--6--------------------| C|------------------3--4--6-----------------------------| G|---------2--5--6--------------------------------------| C|3--4--6-----------------------------------------------|
2-6 frets • 18 note position run
Position 3 Tab
E|---------------------------------------------11-12-14-| C|------------------------------------12-13-15----------| G|---------------------------11-13-14-------------------| C|------------------12-13-15----------------------------| G|---------11-13-14-------------------------------------| C|12-13-15----------------------------------------------|
11-15 frets • 18 note position run
Position 4 Tab
E|---------------------------------------------14-16-17-| C|------------------------------------15-16-18----------| G|---------------------------14-17-18-------------------| C|------------------15-16-18----------------------------| G|---------14-17-18-------------------------------------| C|15-16-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
E|---------------------------------------------20-21-| C|------------------------------------18-20-21-------| G|---------------------------18-20-21----------------| C|------------------18-20-21-------------------------| G|---------18-20-21----------------------------------| C|18-20-21-------------------------------------------|
18-22 frets • 17 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Open C feels huge, modern and harmonically rich. It adds width without sacrificing melodic clarity completely.
- G#
- A
- C
- C#
- D#
- E
- F#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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