Open D left-handed scale chart
G# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Open D.
G# Phrygian Dominant in Open D tuning gives you the notes G#, A, C, C#, D#, E, F# across a mirrored left-handed fretboard. Open D spreads a big major sonority across the guitar, which makes both scale mapping and chord design feel more spacious. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
12-16 frets in mirrored left-handed view
16-20 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------1--2--4--| A|------------------------------------0--3--4-----------| F#|---------------------------0--2--3--------------------| D|------------------1--2--4-----------------------------| A|---------0--3--4--------------------------------------| D|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------1--2--4--| A|------------------------------------0--3--4-----------| F#|---------------------------0--2--3--------------------| D|------------------1--2--4-----------------------------| A|---------0--3--4--------------------------------------| D|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D|------------------------------------------4--6--7--| A|---------------------------------4--6--7-----------| F#|---------------------------6--7--------------------| D|------------------4--6--7--------------------------| A|---------4--6--7-----------------------------------| D|4--6--7--------------------------------------------|
4-8 frets • 17 note position run
Position 3 Tab
D|---------------------------------------------10-11-13-| A|------------------------------------9--11-12----------| F#|---------------------------9--10-12-------------------| D|------------------10-11-13----------------------------| A|---------9--11-12-------------------------------------| D|10-11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------13-14-16-| A|------------------------------------12-15-16----------| F#|---------------------------12-14-15-------------------| D|------------------13-14-16----------------------------| A|---------12-15-16-------------------------------------| D|13-14-16----------------------------------------------|
12-16 frets • 18 note position run
Position 5 Tab
D|------------------------------------------16-18-19-| A|---------------------------------16-18-19----------| F#|---------------------------18-19-------------------| D|------------------16-18-19-------------------------| A|---------16-18-19----------------------------------| D|16-18-19-------------------------------------------|
16-20 frets • 17 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Open D feels wide, resonant and strong for open voicings. It helps left-handed players connect scale notes to ringing chord fragments.
- G#
- A
- C
- C#
- D#
- E
- F#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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