C Standard left-handed chord chart
A#sus4 Left-Handed Guitar Chord Chart
Sus4 chord voicings, mirrored lefty grip charts and standard tab references in C Standard.
A#sus4 uses the notes A#, D#, F and is shown here as a mirrored left-handed chord chart. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The left-handed chart keeps the suspension movement readable without needing to mentally mirror every finger in a right-handed diagram.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Sus4 open-position chart (frets 1-5)
Sus4 open-position chart (frets 1-5)
Sus4 open-position chart (frets 1-5)
Sus4 voicing around frets 10-14
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 3 3 0 0 0 x Chord tones: A# D# F C|-3-| G|-3-| D#|-0-| A#|-0-| F|-0-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): x 3 0 0 0 x Chord tones: A# D# F C|-x-| G|-3-| D#|-0-| A#|-0-| F|-0-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): x x 0 0 0 x Chord tones: A# D# F C|-x-| G|-x-| D#|-0-| A#|-0-| F|-0-| C|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 10 10 12 12 10 10 Chord tones: A# D# F C|-10-| G|-10-| D#|-12-| A#|-12-| F|-10-| C|-10-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Sus4 feels tense, open and unresolved and works for anthemic progressions, rock intros and moving suspended harmony.
The left-handed chart keeps the suspension movement readable without needing to mentally mirror every finger in a right-handed diagram.
Release into the major or minor target shape slowly until the left hand can switch without twisting
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- A#
- D#
- F
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
Library