C Standard left-handed scale chart
A# Mixolydian Left-Handed Guitar Scale Chart
Mixolydian scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
A# Mixolydian in C Standard tuning gives you the notes A#, C, D, D#, F, G, G# across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored chart is especially useful when you are copying phrases from right-handed videos because the b7 anchor is easy to misread when the neck faces the other way.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------0--2--3--| G|------------------------------------0--1--3-----------| D#|---------------------------0--2--4--------------------| A#|------------------0--2--4-----------------------------| F|---------0--2--3--------------------------------------| C|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------0--2--3--| G|------------------------------------0--1--3-----------| D#|---------------------------0--2--4--------------------| A#|------------------0--2--4-----------------------------| F|---------0--2--3--------------------------------------| C|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|---------------------------------------------3--5--7--| G|------------------------------------3--5--7-----------| D#|---------------------------4--5--7--------------------| A#|------------------4--5--7-----------------------------| F|---------3--5--7--------------------------------------| C|3--5--7-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------10-12-14-| G|------------------------------------10-12-13----------| D#|---------------------------11-12-14-------------------| A#|------------------10-12-14----------------------------| F|---------10-12-14-------------------------------------| C|10-12-14----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------15-17-19-| G|------------------------------------15-17-19----------| D#|---------------------------16-17-19-------------------| A#|------------------16-17-19----------------------------| F|---------15-17-19-------------------------------------| C|15-17-19----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
C|------------------------------------------19-20-22-| G|---------------------------------19-20-22----------| D#|---------------------------19-21-------------------| A#|------------------19-21-22-------------------------| F|---------19-21-22----------------------------------| C|19-20-22-------------------------------------------|
18-22 frets • 17 note position run
Context
How To Use This Page
Mixolydian feels major but loose, rootsy and dominant and is useful for jam-band solos, southern rock and bluesy major riffs.
Keep the tab for note order and use the left-handed map to see where the dominant colour sits on your version of the neck.
Frame phrases around the b7 so the mode does not drift back to pure major
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- A#
- C
- D
- D#
- F
- G
- G#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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