Open D left-handed chord chart

Bmaj7 Left-Handed Guitar Chord Chart

Major 7 chord voicings, mirrored lefty grip charts and standard tab references in Open D.

Bmaj7 uses the notes B, D#, F#, A# and is shown here as a mirrored left-handed chord chart. Open D spreads a big major sonority across the guitar, which makes both scale mapping and chord design feel more spacious. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.

Open a page

Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.

Formula 1 3 5 7
Tuning D A F# D A D
Voicings 4 shapes
Mirror View True lefty chart

Primary Chart

Chord View

 
 
o
 
 
x
1
D#
A#
D#
2
B
3
4
5
D
A
F#
D
A
D

Major 7 open-position chart (frets 1-5)

x
 
o
 
 
x
1
A#
D#
2
B
3
4
5
D
A
F#
D
A
D

Major 7 open-position chart (frets 1-5)

8fr
 
 
 
 
 
 
8
A#
A#
9
F#
D#
F#
B
10
11
12
D
A
F#
D
A
D

Major 7 voicing around frets 8-12

6fr
 
 
 
 
 
 
6
D#
7
8
A#
A#
9
D#
F#
B
10
D
A
F#
D
A
D

Major 7 voicing around frets 6-10

Standard Reference

Tab & Shape Readout

Standard Tab Reference

Left-handed shape (high -> low): 1 1 0 1 2 x
Chord tones: B D# F# A#

D|-1-|
A|-1-|
F#|-0-|
D|-1-|
A|-2-|
D|-x-|

Mirrored left-handed chord box on top, stacked standard tab reference below.

Standard Tab Reference

Left-handed shape (high -> low): x 1 0 1 2 x
Chord tones: B D# F# A#

D|-x-|
A|-1-|
F#|-0-|
D|-1-|
A|-2-|
D|-x-|

Mirrored left-handed chord box on top, stacked standard tab reference below.

Standard Tab Reference

Left-handed shape (high -> low): 8 9 9 8 9 9
Chord tones: B D# F# A#

D|-8-|
A|-9-|
F#|-9-|
D|-8-|
A|-9-|
D|-9-|

Mirrored left-handed chord box on top, stacked standard tab reference below.

Standard Tab Reference

Left-handed shape (high -> low): 8 6 9 8 9 9
Chord tones: B D# F# A#

D|-8-|
A|-6-|
F#|-9-|
D|-8-|
A|-9-|
D|-9-|

Mirrored left-handed chord box on top, stacked standard tab reference below.

Context

How To Use This Page

Overview

Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.

Lefty Translation

Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.

Grip Cue

Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force

Tuning Context

Open D feels wide, resonant and strong for open voicings. It helps left-handed players connect scale notes to ringing chord fragments.

Chord Tones
  • B
  • D#
  • F#
  • A#

Next Step

Matching Left-Handed Scales

Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.

Library

Explore More Left-Handed Resources