Drop D left-handed chord chart
G#maj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in Drop D.
G#maj7 uses the notes G#, C, D#, G and is shown here as a mirrored left-handed chord chart. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
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Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 voicing around frets 4-8
Major 7 voicing around frets 6-10
Major 7 voicing around frets 11-15
Major 7 open-position chart (frets 1-5)
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 4 4 5 5 6 6 Chord tones: G# C D# G E|-4-| B|-4-| G|-5-| D|-5-| A|-6-| D|-6-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 8 8 8 6 6 6 Chord tones: G# C D# G E|-8-| B|-8-| G|-8-| D|-6-| A|-6-| D|-6-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 11 13 12 13 11 x Chord tones: G# C D# G E|-11-| B|-13-| G|-12-| D|-13-| A|-11-| D|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 3 1 1 1 3 1 Chord tones: G# C D# G E|-3-| B|-1-| G|-1-| D|-1-| A|-3-| D|-1-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
- G#
- C
- D#
- G
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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