Whole Step Down left-handed scale chart
A Blues Left-Handed Guitar Scale Chart
Blues scale notes, mirrored lefty fretboard positions and standard tab in Whole Step Down.
A Blues in Whole Step Down tuning gives you the notes A, C, D, D#, E, G across a mirrored left-handed fretboard. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. Because the b5 often gets hit with attitude rather than precision, use the mirrored layout to keep the visual target honest before adding aggressive articulation.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------0--1--2--| A|---------------------------------0--3-----------| F|---------------------------2--4-----------------| C|---------------0--2--3--4-----------------------| G|---------0--2-----------------------------------| D|0--1--2-----------------------------------------|
0-4 frets • 16 note position run
Position 1 Tab
D|---------------------------------------0--1--2--| A|---------------------------------0--3-----------| F|---------------------------2--4-----------------| C|---------------0--2--3--4-----------------------| G|---------0--2-----------------------------------| D|0--1--2-----------------------------------------|
0-4 frets • 16 note position run
Position 2 Tab
D|---------------------------------------5--7--| A|------------------------------5--6--7--------| F|------------------------7--9-----------------| C|------------------7--9-----------------------| G|------5--7--8--9-----------------------------| D|5--7-----------------------------------------|
5-9 frets • 15 note position run
Position 3 Tab
D|---------------------------------------10-12-13-14-| A|---------------------------------10-12-------------| F|------------------------10-11-14-------------------| C|------------------12-14----------------------------| G|------------12-14----------------------------------| D|10-12-13-14----------------------------------------|
10-14 frets • 17 note position run
Position 4 Tab
D|------------------------------------14-17-| A|---------------------------15-17-18-------| F|---------------------14-16----------------| C|------------14-15-16----------------------| G|------14-17-------------------------------| D|14-17-------------------------------------|
14-18 frets • 14 note position run
Position 5 Tab
D|---------------------------------------19-22-| A|------------------------------18-19-22-------| F|---------------------19-21-22----------------| C|---------------19-21-------------------------| G|------19-20-21-------------------------------| D|19-22----------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Blues feels gritty, tense and expressive and is useful for turnarounds, greasy phrasing and blues-rock solo work.
The blue note still sits in the same fret relationship shown in standard tab, even though the fretboard chart is mirrored for left-handed reading.
Treat the b5 as a passing colour and resolve it deliberately
Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.
- A
- C
- D
- D#
- E
- G
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Library