Half Step Down left-handed scale chart
A# Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in Half Step Down.
A# Whole Tone in Half Step Down tuning gives you the notes A#, C, D, E, F#, G# across a mirrored left-handed fretboard. Half step down preserves standard geometry while lowering the overall pitch, which makes it a comfortable next step for left-handed players adapting shapes from common lesson material. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------1--3--| A#|------------------------------0--2--4--------| F#|---------------------0--2--4-----------------| C#|---------------1--3--------------------------| G#|------0--2--4--------------------------------| D#|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
D#|---------------------------------------1--3--| A#|------------------------------0--2--4--------| F#|---------------------0--2--4-----------------| C#|---------------1--3--------------------------| G#|------0--2--4--------------------------------| D#|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
D#|------------------------------------5--7--9--| A#|------------------------------6--8-----------| F#|------------------------6--8-----------------| C#|---------------5--7--9-----------------------| G#|---------6--8--------------------------------| D#|5--7--9--------------------------------------|
5-9 frets • 15 note position run
Position 3 Tab
D#|---------------------------------------11-13-| A#|------------------------------10-12-14-------| F#|---------------------10-12-14----------------| C#|---------------11-13-------------------------| G#|------10-12-14-------------------------------| D#|11-13----------------------------------------|
10-14 frets • 15 note position run
Position 4 Tab
D#|---------------------------------------15-17-| A#|------------------------------14-16-18-------| F#|---------------------14-16-18----------------| C#|---------------15-17-------------------------| G#|------14-16-18-------------------------------| D#|15-17----------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
D#|---------------------------------------19-21-| A#|------------------------------18-20-22-------| F#|---------------------18-20-22----------------| C#|---------------19-21-------------------------| G#|------18-20-22-------------------------------| D#|19-21----------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
Half Step Down feels familiar but slightly darker and looser. It keeps your lefty chart recognition intact while changing the feel under both hands.
- A#
- C
- D
- E
- F#
- G#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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