Half Step Down left-handed scale chart
F Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in Half Step Down.
F Whole Tone in Half Step Down tuning gives you the notes F, G, A, B, C#, D# across a mirrored left-handed fretboard. Half step down preserves standard geometry while lowering the overall pitch, which makes it a comfortable next step for left-handed players adapting shapes from common lesson material. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|------------------------------------0--2--4--| A#|------------------------------1--3-----------| F#|------------------------1--3-----------------| C#|---------------0--2--4-----------------------| G#|---------1--3--------------------------------| D#|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
D#|------------------------------------0--2--4--| A#|------------------------------1--3-----------| F#|------------------------1--3-----------------| C#|---------------0--2--4-----------------------| G#|---------1--3--------------------------------| D#|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
D#|---------------------------------------6--8--| A#|------------------------------5--7--9--------| F#|---------------------5--7--9-----------------| C#|---------------6--8--------------------------| G#|------5--7--9--------------------------------| D#|6--8-----------------------------------------|
5-9 frets • 15 note position run
Position 3 Tab
D#|---------------------------------------10-12-| A#|------------------------------9--11-13-------| F#|---------------------9--11-13----------------| C#|---------------10-12-------------------------| G#|------9--11-13-------------------------------| D#|10-12----------------------------------------|
9-13 frets • 15 note position run
Position 4 Tab
D#|------------------------------------14-16-18-| A#|------------------------------15-17----------| F#|------------------------15-17----------------| C#|---------------14-16-18----------------------| G#|---------15-17-------------------------------| D#|14-16-18-------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
D#|------------------------------------18-20-22-| A#|------------------------------19-21----------| F#|------------------------19-21----------------| C#|---------------18-20-22----------------------| G#|---------19-21-------------------------------| D#|18-20-22-------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
Half Step Down feels familiar but slightly darker and looser. It keeps your lefty chart recognition intact while changing the feel under both hands.
- F
- G
- A
- B
- C#
- D#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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