C Standard left-handed scale chart
B Phrygian Left-Handed Guitar Scale Chart
Phrygian scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
B Phrygian in C Standard tuning gives you the notes B, C, D, E, F#, G, A across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. Left-handed players often over-read shapes and under-hear tension notes, so use the mirrored chart to locate the b2 and then sing it against the root.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------0--2--4--| G|------------------------------------0--2--4-----------| D#|---------------------------1--3--4--------------------| A#|------------------1--2--4-----------------------------| F|---------1--2--4--------------------------------------| C|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------0--2--4--| G|------------------------------------0--2--4-----------| D#|---------------------------1--3--4--------------------| A#|------------------1--2--4-----------------------------| F|---------1--2--4--------------------------------------| C|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|---------------------------------------------4--6--7--| G|------------------------------------4--5--7-----------| D#|---------------------------4--6--8--------------------| A#|------------------4--6--8-----------------------------| F|---------4--6--7--------------------------------------| C|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------9--11-12-| G|------------------------------------9--11-12----------| D#|---------------------------9--11-13-------------------| A#|------------------9--11-13----------------------------| F|---------9--11-13-------------------------------------| C|9--11-12----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------14-16-18-| G|------------------------------------14-16-17----------| D#|---------------------------15-16-18-------------------| A#|------------------14-16-18----------------------------| F|---------14-16-18-------------------------------------| C|14-16-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
C|------------------------------------------18-19-21-| G|------------------------------------19-21----------| D#|---------------------------18-20-21----------------| A#|------------------18-20-21-------------------------| F|---------18-19-21----------------------------------| C|18-19-21-------------------------------------------|
18-22 frets • 17 note position run
Context
How To Use This Page
Phrygian feels dark, compressed and exotic and is useful for metal riffs, Spanish flavours and tense pedal-point writing.
Mainstream right-handed diagrams often hide the real character note in an awkward corner; the mirrored version on this page keeps that translation direct.
Keep returning to the b2 against the root so the mode identity stays strong
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- B
- C
- D
- E
- F#
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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