C Standard left-handed scale chart
B Mixolydian Left-Handed Guitar Scale Chart
Mixolydian scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
B Mixolydian in C Standard tuning gives you the notes B, C#, D#, E, F#, G#, A across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored chart is especially useful when you are copying phrases from right-handed videos because the b7 anchor is easy to misread when the neck faces the other way.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|------------------------------------------1--3--4--| G|---------------------------------1--2--4-----------| D#|------------------------0--1--3--------------------| A#|------------------1--3-----------------------------| F|---------1--3--4-----------------------------------| C|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
C|------------------------------------------1--3--4--| G|---------------------------------1--2--4-----------| D#|------------------------0--1--3--------------------| A#|------------------1--3-----------------------------| F|---------1--3--4-----------------------------------| C|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
C|---------------------------------------------4--6--8--| G|------------------------------------4--6--8-----------| D#|---------------------------5--6--8--------------------| A#|------------------5--6--8-----------------------------| F|---------4--6--8--------------------------------------| C|4--6--8-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------9--11-13-| G|------------------------------------9--11-13----------| D#|---------------------------10-12-13-------------------| A#|------------------10-11-13----------------------------| F|---------10-11-13-------------------------------------| C|9--11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------15-16-18-| G|------------------------------------14-16-18----------| D#|---------------------------15-17-18-------------------| A#|------------------15-17-18----------------------------| F|---------15-16-18-------------------------------------| C|15-16-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
C|---------------------------------------------18-20-21-| G|------------------------------------18-20-21----------| D#|---------------------------18-20-22-------------------| A#|------------------18-20-22----------------------------| F|---------18-20-22-------------------------------------| C|18-20-21----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Mixolydian feels major but loose, rootsy and dominant and is useful for jam-band solos, southern rock and bluesy major riffs.
Keep the tab for note order and use the left-handed map to see where the dominant colour sits on your version of the neck.
Frame phrases around the b7 so the mode does not drift back to pure major
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- B
- C#
- D#
- E
- F#
- G#
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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