Drop C left-handed scale chart
B Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
B Whole Tone in Drop C tuning gives you the notes B, C#, D#, F, G, A across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|------------------------------------0--2--4--| A#|------------------------------1--3-----------| F|---------------------0--2--4-----------------| C|---------------1--3--------------------------| G|------0--2--4--------------------------------| C|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
D#|------------------------------------0--2--4--| A#|------------------------------1--3-----------| F|---------------------0--2--4-----------------| C|---------------1--3--------------------------| G|------0--2--4--------------------------------| C|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
D#|------------------------------------4--6--8--| A#|------------------------------5--7-----------| F|---------------------4--6--8-----------------| C|---------------5--7--------------------------| G|------4--6--8--------------------------------| C|5--7-----------------------------------------|
4-8 frets • 15 note position run
Position 3 Tab
D#|---------------------------------------10-12-| A#|------------------------------9--11-13-------| F|------------------------10-12----------------| C|---------------9--11-13----------------------| G|---------10-12-------------------------------| C|9--11-13-------------------------------------|
9-13 frets • 15 note position run
Position 4 Tab
D#|------------------------------------14-16-18-| A#|------------------------------15-17----------| F|---------------------14-16-18----------------| C|---------------15-17-------------------------| G|------14-16-18-------------------------------| C|15-17----------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
D#|------------------------------------18-20-22-| A#|------------------------------19-21----------| F|---------------------18-20-22----------------| C|---------------19-21-------------------------| G|------18-20-22-------------------------------| C|19-21----------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- B
- C#
- D#
- F
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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