DADGAD left-handed scale chart
B Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
B Whole Tone in DADGAD tuning gives you the notes B, C#, D#, F, G, A across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
2-6 frets in mirrored left-handed view
12-16 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------1--3--| A|---------------------------0-----2--4--------| G|---------------------0--2-----4--------------| D|---------------1--3--------------------------| A|------0--2--4--------------------------------| D|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
D|---------------------------------------1--3--| A|---------------------------0-----2--4--------| G|---------------------0--2-----4--------------| D|---------------1--3--------------------------| A|------0--2--4--------------------------------| D|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
D|---------------------------------------3--5--| A|---------------------------2-----4--6--------| G|---------------------2--4-----6--------------| D|---------------3--5--------------------------| A|------2--4--6--------------------------------| D|3--5-----------------------------------------|
2-6 frets • 15 note position run
Position 3 Tab
D|---------------------------------------13-15-| A|---------------------------12----14-16-------| G|---------------------12-14----16-------------| D|---------------13-15-------------------------| A|------12-14-16-------------------------------| D|13-15----------------------------------------|
12-16 frets • 15 note position run
Position 4 Tab
D|---------------------------------------15-17-| A|---------------------------14----16-18-------| G|---------------------14-16----18-------------| D|---------------15-17-------------------------| A|------14-16-18-------------------------------| D|15-17----------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
D|---------------------------------------19-21-| A|---------------------------18----20-22-------| G|---------------------18-20----22-------------| D|---------------19-21-------------------------| A|------18-20-22-------------------------------| D|19-21----------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- B
- C#
- D#
- F
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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