Drop D left-handed scale chart
B Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in Drop D.
B Whole Tone in Drop D tuning gives you the notes B, C#, D#, F, G, A across a mirrored left-handed fretboard. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|---------------------------------------1--3--| B|------------------------------0--2--4--------| G|---------------------0--2--4-----------------| D|---------------1--3--------------------------| A|------0--2--4--------------------------------| D|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
E|---------------------------------------1--3--| B|------------------------------0--2--4--------| G|---------------------0--2--4-----------------| D|---------------1--3--------------------------| A|------0--2--4--------------------------------| D|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
E|------------------------------------5--7--9--| B|------------------------------6--8-----------| G|------------------------6--8-----------------| D|---------------5--7--9-----------------------| A|---------6--8--------------------------------| D|5--7--9--------------------------------------|
5-9 frets • 15 note position run
Position 3 Tab
E|---------------------------------------11-13-| B|------------------------------10-12-14-------| G|---------------------10-12-14----------------| D|---------------11-13-------------------------| A|------10-12-14-------------------------------| D|11-13----------------------------------------|
10-14 frets • 15 note position run
Position 4 Tab
E|---------------------------------------15-17-| B|------------------------------14-16-18-------| G|---------------------14-16-18----------------| D|---------------15-17-------------------------| A|------14-16-18-------------------------------| D|15-17----------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
E|---------------------------------------19-21-| B|------------------------------18-20-22-------| G|---------------------18-20-22----------------| D|---------------19-21-------------------------| A|------18-20-22-------------------------------| D|19-21----------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
- B
- C#
- D#
- F
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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