C Standard left-handed scale chart
C Mixolydian Left-Handed Guitar Scale Chart
Mixolydian scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
C Mixolydian in C Standard tuning gives you the notes C, D, E, F, G, A, A# across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored chart is especially useful when you are copying phrases from right-handed videos because the b7 anchor is easy to misread when the neck faces the other way.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------0--2--4--| G|------------------------------------0--2--3-----------| D#|---------------------------1--2--4--------------------| A#|------------------0--2--4-----------------------------| F|---------0--2--4--------------------------------------| C|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------0--2--4--| G|------------------------------------0--2--3-----------| D#|---------------------------1--2--4--------------------| A#|------------------0--2--4-----------------------------| F|---------0--2--4--------------------------------------| C|0--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|---------------------------------------------5--7--9--| G|------------------------------------5--7--9-----------| D#|---------------------------6--7--9--------------------| A#|------------------6--7--9-----------------------------| F|---------5--7--9--------------------------------------| C|5--7--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------10-12-14-| G|------------------------------------10-12-14----------| D#|---------------------------11-13-14-------------------| A#|------------------11-12-14----------------------------| F|---------11-12-14-------------------------------------| C|10-12-14----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------16-17-19-| G|------------------------------------15-17-19----------| D#|---------------------------16-18-19-------------------| A#|------------------16-18-19----------------------------| F|---------16-17-19-------------------------------------| C|16-17-19----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
C|------------------------------------------19-21-22-| G|---------------------------------19-21-22----------| D#|------------------------18-19-21-------------------| A#|---------------18-19-21----------------------------| F|---------19-21-------------------------------------| C|19-21-22-------------------------------------------|
18-22 frets • 17 note position run
Context
How To Use This Page
Mixolydian feels major but loose, rootsy and dominant and is useful for jam-band solos, southern rock and bluesy major riffs.
Keep the tab for note order and use the left-handed map to see where the dominant colour sits on your version of the neck.
Frame phrases around the b7 so the mode does not drift back to pure major
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- C
- D
- E
- F
- G
- A
- A#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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