Open D left-handed scale chart
C# Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in Open D.
C# Whole Tone in Open D tuning gives you the notes C#, D#, F, G, A, B across a mirrored left-handed fretboard. Open D spreads a big major sonority across the guitar, which makes both scale mapping and chord design feel more spacious. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
2-6 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
17-21 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|------------------------------------3--5--| A|---------------------------2--4--6--------| F#|---------------------3--5-----------------| D|---------------3--5-----------------------| A|------2--4--6-----------------------------| D|3--5--------------------------------------|
2-6 frets • 14 note position run
Position 1 Tab
D|------------------------------------3--5--| A|---------------------------2--4--6--------| F#|---------------------3--5-----------------| D|---------------3--5-----------------------| A|------2--4--6-----------------------------| D|3--5--------------------------------------|
2-6 frets • 14 note position run
Position 2 Tab
D|---------------------------------------5--7--9--| A|---------------------------------6--8-----------| F#|------------------------5--7--9-----------------| D|---------------5--7--9--------------------------| A|---------6--8-----------------------------------| D|5--7--9-----------------------------------------|
5-9 frets • 16 note position run
Position 3 Tab
D|---------------------------------------9--11-13-| A|---------------------------------10-12----------| F#|------------------------9--11-13----------------| D|---------------9--11-13-------------------------| A|---------10-12----------------------------------| D|9--11-13----------------------------------------|
9-13 frets • 16 note position run
Position 4 Tab
D|------------------------------------15-17-| A|---------------------------14-16-18-------| F#|---------------------15-17----------------| D|---------------15-17----------------------| A|------14-16-18----------------------------| D|15-17-------------------------------------|
14-18 frets • 14 note position run
Position 5 Tab
D|---------------------------------------17-19-21-| A|---------------------------------18-20----------| F#|------------------------17-19-21----------------| D|---------------17-19-21-------------------------| A|---------18-20----------------------------------| D|17-19-21----------------------------------------|
17-21 frets • 16 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
Open D feels wide, resonant and strong for open voicings. It helps left-handed players connect scale notes to ringing chord fragments.
- C#
- D#
- F
- G
- A
- B
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Library