DADGAD left-handed scale chart
C# Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
C# Whole Tone in DADGAD tuning gives you the notes C#, D#, F, G, A, B across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
2-6 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
16-20 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------3--5--| A|---------------------------2-----4--6--------| G|---------------------2--4-----6--------------| D|---------------3--5--------------------------| A|------2--4--6--------------------------------| D|3--5-----------------------------------------|
2-6 frets • 15 note position run
Position 1 Tab
D|---------------------------------------3--5--| A|---------------------------2-----4--6--------| G|---------------------2--4-----6--------------| D|---------------3--5--------------------------| A|------2--4--6--------------------------------| D|3--5-----------------------------------------|
2-6 frets • 15 note position run
Position 2 Tab
D|---------------------------------------5--7--| A|---------------------------4-----6--8--------| G|---------------------4--6-----8--------------| D|---------------5--7--------------------------| A|------4--6--8--------------------------------| D|5--7-----------------------------------------|
4-8 frets • 15 note position run
Position 3 Tab
D|------------------------------------9--11-13-| A|------------------------------10-12----------| G|------------------------10-12----------------| D|---------------9--11-13----------------------| A|---------10-12-------------------------------| D|9--11-13-------------------------------------|
9-13 frets • 15 note position run
Position 4 Tab
D|---------------------------------------15-17-| A|---------------------------14----16-18-------| G|---------------------14-16----18-------------| D|---------------15-17-------------------------| A|------14-16-18-------------------------------| D|15-17----------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
D|---------------------------------------17-19-| A|---------------------------16----18-20-------| G|---------------------16-18----20-------------| D|---------------17-19-------------------------| A|------16-18-20-------------------------------| D|17-19----------------------------------------|
16-20 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- C#
- D#
- F
- G
- A
- B
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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