Drop C left-handed scale chart
D# Phrygian Left-Handed Guitar Scale Chart
Phrygian scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
D# Phrygian in Drop C tuning gives you the notes D#, E, F#, G#, A#, B, C# across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. Left-handed players often over-read shapes and under-hear tension notes, so use the mirrored chart to locate the b2 and then sing it against the root.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|------------------------------------------0--1--3--| A#|---------------------------------0--1--3-----------| F|---------------------------1--3--------------------| C|------------------1--3--4--------------------------| G|---------1--3--4-----------------------------------| C|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
D#|------------------------------------------0--1--3--| A#|---------------------------------0--1--3-----------| F|---------------------------1--3--------------------| C|------------------1--3--4--------------------------| G|---------1--3--4-----------------------------------| C|1--3--4--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
D#|---------------------------------------------3--5--7--| A#|------------------------------------3--5--6-----------| F|---------------------------3--5--6--------------------| C|------------------3--4--6-----------------------------| G|---------3--4--6--------------------------------------| C|3--4--6-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
D#|---------------------------------------------8--10-12-| A#|------------------------------------8--10-12----------| F|---------------------------8--10-11-------------------| C|------------------8--10-11----------------------------| G|---------8--9--11-------------------------------------| C|8--10-11----------------------------------------------|
8-12 frets • 18 note position run
Position 4 Tab
D#|---------------------------------------------13-15-17-| A#|------------------------------------13-15-17----------| F|---------------------------13-15-17-------------------| C|------------------13-15-16----------------------------| G|---------13-15-16-------------------------------------| C|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
D#|---------------------------------------------19-20-22-| A#|------------------------------------18-20-22----------| F|---------------------------18-20-22-------------------| C|------------------18-20-22----------------------------| G|---------18-20-21-------------------------------------| C|18-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian feels dark, compressed and exotic and is useful for metal riffs, Spanish flavours and tense pedal-point writing.
Mainstream right-handed diagrams often hide the real character note in an awkward corner; the mirrored version on this page keeps that translation direct.
Keep returning to the b2 against the root so the mode identity stays strong
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- D#
- E
- F#
- G#
- A#
- B
- C#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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