C Standard left-handed scale chart
D Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
D Whole Tone in C Standard tuning gives you the notes D, E, F#, G#, A#, C across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|------------------------------------0--2--4--| G|------------------------------1--3-----------| D#|------------------------1--3-----------------| A#|---------------0--2--4-----------------------| F|---------1--3--------------------------------| C|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
C|------------------------------------0--2--4--| G|------------------------------1--3-----------| D#|------------------------1--3-----------------| A#|---------------0--2--4-----------------------| F|---------1--3--------------------------------| C|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
C|---------------------------------------6--8--| G|------------------------------5--7--9--------| D#|---------------------5--7--9-----------------| A#|---------------6--8--------------------------| F|------5--7--9--------------------------------| C|6--8-----------------------------------------|
5-9 frets • 15 note position run
Position 3 Tab
C|---------------------------------------10-12-| G|------------------------------9--11-13-------| D#|---------------------9--11-13----------------| A#|---------------10-12-------------------------| F|------9--11-13-------------------------------| C|10-12----------------------------------------|
9-13 frets • 15 note position run
Position 4 Tab
C|------------------------------------14-16-18-| G|------------------------------15-17----------| D#|------------------------15-17----------------| A#|---------------14-16-18----------------------| F|---------15-17-------------------------------| C|14-16-18-------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
C|------------------------------------18-20-22-| G|------------------------------19-21----------| D#|------------------------19-21----------------| A#|---------------18-20-22----------------------| F|---------19-21-------------------------------| C|18-20-22-------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- D
- E
- F#
- G#
- A#
- C
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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