DADGAD left-handed scale chart
D Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
D Whole Tone in DADGAD tuning gives you the notes D, E, F#, G#, A#, C across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
17-21 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|------------------------------------0--2--4--| A|------------------------------1--3-----------| G|------------------------1--3-----------------| D|---------------0--2--4-----------------------| A|---------1--3--------------------------------| D|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
D|------------------------------------0--2--4--| A|------------------------------1--3-----------| G|------------------------1--3-----------------| D|---------------0--2--4-----------------------| A|---------1--3--------------------------------| D|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
D|---------------------------------------4--6--| A|---------------------------3-----5--7--------| G|---------------------3--5-----7--------------| D|---------------4--6--------------------------| A|------3--5--7--------------------------------| D|4--6-----------------------------------------|
3-7 frets • 15 note position run
Position 3 Tab
D|------------------------------------10-12-14-| A|------------------------------11-13----------| G|------------------------11-13----------------| D|---------------10-12-14----------------------| A|---------11-13-------------------------------| D|10-12-14-------------------------------------|
10-14 frets • 15 note position run
Position 4 Tab
D|---------------------------------------16-18-| A|---------------------------15----17-19-------| G|---------------------15-17----19-------------| D|---------------16-18-------------------------| A|------15-17-19-------------------------------| D|16-18----------------------------------------|
15-19 frets • 15 note position run
Position 5 Tab
D|---------------------------------------18-20-| A|---------------------------17----19-21-------| G|---------------------17-19----21-------------| D|---------------18-20-------------------------| A|------17-19-21-------------------------------| D|18-20----------------------------------------|
17-21 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- D
- E
- F#
- G#
- A#
- C
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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