DADGAD left-handed chord chart
D#maj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in DADGAD.
D#maj7 uses the notes D#, G, A#, D and is shown here as a mirrored left-handed chord chart. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 open-position chart (frets 1-5)
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 12-16
Major 7 voicing around frets 3-7
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 0 1 0 0 1 1 Chord tones: D# G A# D D|-0-| A|-1-| G|-0-| D|-0-| A|-1-| D|-1-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 1 1 0 0 1 1 Chord tones: D# G A# D D|-1-| A|-1-| G|-0-| D|-0-| A|-1-| D|-1-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 12 13 12 12 13 13 Chord tones: D# G A# D D|-12-| A|-13-| G|-12-| D|-12-| A|-13-| D|-13-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 5 5 3 5 6 x Chord tones: D# G A# D D|-5-| A|-5-| G|-3-| D|-5-| A|-6-| D|-x-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- D#
- G
- A#
- D
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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