Half Step Down left-handed scale chart
A Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Half Step Down.
A Phrygian Dominant in Half Step Down tuning gives you the notes A, A#, C#, D, E, F, G across a mirrored left-handed fretboard. Half step down preserves standard geometry while lowering the overall pitch, which makes it a comfortable next step for left-handed players adapting shapes from common lesson material. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------1--2--4--| A#|------------------------------------0--3--4-----------| F#|---------------------------1--3--4--------------------| C#|---------------0--1--3--4-----------------------------| G#|---------1--2-----------------------------------------| D#|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D#|---------------------------------------------1--2--4--| A#|------------------------------------0--3--4-----------| F#|---------------------------1--3--4--------------------| C#|---------------0--1--3--4-----------------------------| G#|---------1--2-----------------------------------------| D#|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D#|---------------------------------------------4--6--7--| A#|------------------------------------4--6--7-----------| F#|---------------------------4--7--8--------------------| C#|------------------4--6--8-----------------------------| G#|---------5--6--8--------------------------------------| D#|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
D#|---------------------------------------------10-11-13-| A#|------------------------------------9--11-12----------| F#|---------------------------10-11-13-------------------| C#|------------------9--12-13----------------------------| G#|---------9--11-13-------------------------------------| D#|10-11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D#|------------------------------------------13-14-16-| A#|------------------------------------15-16----------| F#|---------------------------13-15-16----------------| C#|------------------13-15-16-------------------------| G#|---------13-14-17----------------------------------| D#|13-14-16-------------------------------------------|
13-17 frets • 17 note position run
Position 5 Tab
D#|---------------------------------------------18-19-22-| A#|------------------------------------18-19-21----------| F#|---------------------------19-20-22-------------------| C#|------------------18-20-21----------------------------| G#|---------18-20-21-------------------------------------| D#|18-19-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Half Step Down feels familiar but slightly darker and looser. It keeps your lefty chart recognition intact while changing the feel under both hands.
- A
- A#
- C#
- D
- E
- F
- G
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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