DADGAD left-handed scale chart
A Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
A Phrygian Dominant in DADGAD tuning gives you the notes A, A#, C#, D, E, F, G across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
12-16 frets in mirrored left-handed view
17-21 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------0--2--3--| A|---------------------------------0-----1--4-----------| G|---------------------------0--2-----3-----------------| D|------------------0--2--3-----------------------------| A|---------0--1--4--------------------------------------| D|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------0--2--3--| A|---------------------------------0-----1--4-----------| G|---------------------------0--2-----3-----------------| D|------------------0--2--3-----------------------------| A|---------0--1--4--------------------------------------| D|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------5--7--8--| A|---------------------------------5-----7--8-----------| G|---------------------------6--7-----9-----------------| D|------------------5--7--8-----------------------------| A|---------5--7--8--------------------------------------| D|5--7--8-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------11-12-14-| A|---------------------------------10----12-13----------| G|---------------------------10-12----14----------------| D|------------------11-12-14----------------------------| A|---------10-12-13-------------------------------------| D|11-12-14----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------12-14-15-| A|---------------------------------12----13-16----------| G|---------------------------12-14----15----------------| D|------------------12-14-15----------------------------| A|---------12-13-16-------------------------------------| D|12-14-15----------------------------------------------|
12-16 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------17-19-20-| A|---------------------------------17----19-20----------| G|---------------------------18-19----21----------------| D|------------------17-19-20----------------------------| A|---------17-19-20-------------------------------------| D|17-19-20----------------------------------------------|
17-21 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- A
- A#
- C#
- D
- E
- F
- G
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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