Open C left-handed scale chart
A Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Open C.
A Phrygian Dominant in Open C tuning gives you the notes A, A#, C#, D, E, F, G across a mirrored left-handed fretboard. Open C gives the guitar a large low register and a broad major framework, which is ideal for cinematic left-handed accompaniment and layered rhythm parts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
12-16 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|---------------------------------------------0--1--3--| C|------------------------------------1--2--4-----------| G|---------------------------0--2--3--------------------| C|------------------1--2--4-----------------------------| G|---------0--2--3--------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
E|---------------------------------------------0--1--3--| C|------------------------------------1--2--4-----------| G|---------------------------0--2--3--------------------| C|------------------1--2--4-----------------------------| G|---------0--2--3--------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
E|---------------------------------------------3--5--6--| C|------------------------------------4--5--7-----------| G|---------------------------3--6--7--------------------| C|------------------4--5--7-----------------------------| G|---------3--6--7--------------------------------------| C|4--5--7-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
E|---------------------------------------------12-13-15-| C|------------------------------------13-14-16----------| G|---------------------------12-14-15-------------------| C|------------------13-14-16----------------------------| G|---------12-14-15-------------------------------------| C|13-14-16----------------------------------------------|
12-16 frets • 18 note position run
Position 4 Tab
E|---------------------------------------------15-17-18-| C|------------------------------------16-17-19----------| G|---------------------------15-18-19-------------------| C|------------------16-17-19----------------------------| G|---------15-18-19-------------------------------------| C|16-17-19----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
E|---------------------------------------------------18-21-22-| C|------------------------------------------19-21-22----------| G|------------------------------18-19-21-22-------------------| C|---------------------19-21-22-------------------------------| G|---------18-19-21-22----------------------------------------| C|19-21-22----------------------------------------------------|
18-22 frets • 20 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Open C feels huge, modern and harmonically rich. It adds width without sacrificing melodic clarity completely.
- A
- A#
- C#
- D
- E
- F
- G
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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