Open G left-handed scale chart
A# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Open G.
A# Phrygian Dominant in Open G tuning gives you the notes A#, B, D, D#, F, F#, G# across a mirrored left-handed fretboard. Open G stacks a major chord under the strings, which turns left-handed rhythm and slide ideas into a much more visual game than in standard tuning. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
1-5 frets in mirrored left-handed view
6-10 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|------------------------------------------1--3--4--| B|------------------------------------3--4-----------| G|---------------------------1--3--4-----------------| D|------------------1--3--4--------------------------| G|---------1--3--4-----------------------------------| D|1--3--4--------------------------------------------|
1-5 frets • 17 note position run
Position 1 Tab
D|------------------------------------------1--3--4--| B|------------------------------------3--4-----------| G|---------------------------1--3--4-----------------| D|------------------1--3--4--------------------------| G|---------1--3--4-----------------------------------| D|1--3--4--------------------------------------------|
1-5 frets • 17 note position run
Position 2 Tab
D|---------------------------------------------6--8--9--| B|------------------------------------6--7--9-----------| G|---------------------------7--8--10-------------------| D|------------------6--8--9-----------------------------| G|---------7--8--10-------------------------------------| D|6--8--9-----------------------------------------------|
6-10 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------9--12-13-| B|------------------------------------9--11-12----------| G|---------------------------10-11-13-------------------| D|------------------9--12-13----------------------------| G|---------10-11-13-------------------------------------| D|9--12-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D|------------------------------------------13-15-16-| B|------------------------------------15-16----------| G|---------------------------13-15-16----------------| D|------------------13-15-16-------------------------| G|---------13-15-16----------------------------------| D|13-15-16-------------------------------------------|
13-17 frets • 17 note position run
Position 5 Tab
D|---------------------------------------------18-20-21-| B|------------------------------------18-19-21----------| G|---------------------------19-20-22-------------------| D|------------------18-20-21----------------------------| G|---------19-20-22-------------------------------------| D|18-20-21----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Open G feels rootsy, slide-friendly and chord-rich. It makes partial chords, droning harmonies and slide-friendly shapes easier to hear quickly.
- A#
- B
- D
- D#
- F
- F#
- G#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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