Standard left-handed scale chart
A# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Standard.
A# Phrygian Dominant in Standard tuning gives you the notes A#, B, D, D#, F, F#, G# across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|---------------------------------------------1--2--4--| B|------------------------------------0--3--4-----------| G|---------------------------1--3--4--------------------| D|---------------0--1--3--4-----------------------------| A|---------1--2-----------------------------------------| E|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
E|---------------------------------------------1--2--4--| B|------------------------------------0--3--4-----------| G|---------------------------1--3--4--------------------| D|---------------0--1--3--4-----------------------------| A|---------1--2-----------------------------------------| E|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
E|---------------------------------------------4--6--7--| B|------------------------------------4--6--7-----------| G|---------------------------4--7--8--------------------| D|------------------4--6--8-----------------------------| A|---------5--6--8--------------------------------------| E|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
E|---------------------------------------------10-11-13-| B|------------------------------------9--11-12----------| G|---------------------------10-11-13-------------------| D|------------------9--12-13----------------------------| A|---------9--11-13-------------------------------------| E|10-11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
E|------------------------------------------13-14-16-| B|------------------------------------15-16----------| G|---------------------------13-15-16----------------| D|------------------13-15-16-------------------------| A|---------13-14-17----------------------------------| E|13-14-16-------------------------------------------|
13-17 frets • 17 note position run
Position 5 Tab
E|---------------------------------------------18-19-22-| B|------------------------------------18-19-21----------| G|---------------------------19-20-22-------------------| D|------------------18-20-21----------------------------| A|---------18-20-21-------------------------------------| E|18-19-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
- A#
- B
- D
- D#
- F
- F#
- G#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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