Open G left-handed scale chart
F Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Open G.
F Phrygian Dominant in Open G tuning gives you the notes F, F#, A, A#, C, C#, D# across a mirrored left-handed fretboard. Open G stacks a major chord under the strings, which turns left-handed rhythm and slide ideas into a much more visual game than in standard tuning. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
1-5 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
16-20 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------1--3--4--| B|------------------------------------1--2--4-----------| G|---------------------------2--3--5--------------------| D|------------------1--3--4-----------------------------| G|---------2--3--5--------------------------------------| D|1--3--4-----------------------------------------------|
1-5 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------1--3--4--| B|------------------------------------1--2--4-----------| G|---------------------------2--3--5--------------------| D|------------------1--3--4-----------------------------| G|---------2--3--5--------------------------------------| D|1--3--4-----------------------------------------------|
1-5 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------4--7--8--| B|------------------------------------4--6--7-----------| G|---------------------------5--6--8--------------------| D|------------------4--7--8-----------------------------| G|---------5--6--8--------------------------------------| D|4--7--8-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------13-15-16-| B|------------------------------------13-14-16----------| G|---------------------------14-15-17-------------------| D|------------------13-15-16----------------------------| G|---------14-15-17-------------------------------------| D|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------16-19-20-| B|------------------------------------16-18-19----------| G|---------------------------17-18-20-------------------| D|------------------16-19-20----------------------------| G|---------17-18-20-------------------------------------| D|16-19-20----------------------------------------------|
16-20 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------19-20-22-| B|------------------------------------18-19-22----------| G|---------------------------18-20-22-------------------| D|------------------19-20-22----------------------------| G|---------18-20-22-------------------------------------| D|19-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Open G feels rootsy, slide-friendly and chord-rich. It makes partial chords, droning harmonies and slide-friendly shapes easier to hear quickly.
- F
- F#
- A
- A#
- C
- C#
- D#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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