Drop C left-handed scale chart
D Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
D Phrygian Dominant in Drop C tuning gives you the notes D, D#, F#, G, A, A#, C across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------0--3--4--| A#|------------------------------------0--2--4-----------| F|---------------------------1--2--4--------------------| C|------------------0--2--3-----------------------------| G|---------0--2--3--------------------------------------| C|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D#|---------------------------------------------0--3--4--| A#|------------------------------------0--2--4-----------| F|---------------------------1--2--4--------------------| C|------------------0--2--3-----------------------------| G|---------0--2--3--------------------------------------| C|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D#|---------------------------------------------6--7--9--| A#|------------------------------------5--8--9-----------| F|---------------------------5--7--9--------------------| C|------------------6--7--9-----------------------------| G|---------5--7--8--------------------------------------| C|6--7--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
D#|------------------------------------------9--11-12-| A#|---------------------------------9--11-12----------| F|------------------------9--10-13-------------------| C|---------------9--10-12----------------------------| G|---------11-12-------------------------------------| C|9--10-12-------------------------------------------|
9-13 frets • 17 note position run
Position 4 Tab
D#|---------------------------------------------15-16-18-| A#|------------------------------------14-16-17----------| F|---------------------------14-16-17-------------------| C|------------------14-15-18----------------------------| G|---------14-15-17-------------------------------------| C|14-15-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
D#|---------------------------------------------18-19-21-| A#|---------------------------------------20-21----------| F|------------------------------19-21-22----------------| C|------------------18-19-21-22-------------------------| G|------------19-20-------------------------------------| C|18-19-21-22-------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- D
- D#
- F#
- G
- A
- A#
- C
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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