Drop C left-handed scale chart
E Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
E Phrygian Dominant in Drop C tuning gives you the notes E, F, G#, A, B, C, D across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------1--2--| A#|------------------------------------1--2--4--------| F|---------------------------0--3--4-----------------| C|------------------0--2--4--------------------------| G|---------1--2--4-----------------------------------| C|0--2--4--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
D#|---------------------------------------------1--2--| A#|------------------------------------1--2--4--------| F|---------------------------0--3--4-----------------| C|------------------0--2--4--------------------------| G|---------1--2--4-----------------------------------| C|0--2--4--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
D#|---------------------------------------------5--6--8--| A#|------------------------------------4--6--7-----------| F|---------------------------4--6--7--------------------| C|------------------4--5--8-----------------------------| G|---------4--5--7--------------------------------------| C|4--5--8-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
D#|---------------------------------------------9--11-13-| A#|------------------------------------10-11-13----------| F|---------------------------9--11-12-------------------| C|------------------9--11-12----------------------------| G|---------9--10-13-------------------------------------| C|9--11-12----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D#|---------------------------------------------14-17-18-| A#|------------------------------------14-16-18----------| F|---------------------------15-16-18-------------------| C|------------------14-16-17----------------------------| G|---------14-16-17-------------------------------------| C|14-16-17----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
D#|---------------------------------------18-20-21-| A#|------------------------------18-19-22----------| F|---------------------18-19-21-------------------| C|---------------20-21----------------------------| G|------19-21-22----------------------------------| C|20-21-------------------------------------------|
18-22 frets • 16 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- E
- F
- G#
- A
- B
- C
- D
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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