Drop C left-handed scale chart
G Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
G Phrygian Dominant in Drop C tuning gives you the notes G, G#, B, C, D, D#, F across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------0--2--4--| A#|------------------------------------1--2--4-----------| F|---------------------------0--2--3--------------------| C|------------------0--2--3-----------------------------| G|---------0--1--4--------------------------------------| C|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D#|---------------------------------------------0--2--4--| A#|------------------------------------1--2--4-----------| F|---------------------------0--2--3--------------------| C|------------------0--2--3-----------------------------| G|---------0--1--4--------------------------------------| C|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D#|---------------------------------------------5--8--9--| A#|------------------------------------5--7--9-----------| F|---------------------------6--7--9--------------------| C|------------------5--7--8-----------------------------| G|---------5--7--8--------------------------------------| C|5--7--8-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
D#|---------------------------------------------11-12-14-| A#|------------------------------------10-13-14----------| F|---------------------------10-12-14-------------------| C|------------------11-12-14----------------------------| G|---------10-12-13-------------------------------------| C|11-12-14----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
D#|------------------------------------------14-16-17-| A#|---------------------------------14-16-17----------| F|------------------------14-15-18-------------------| C|---------------14-15-17----------------------------| G|---------16-17-------------------------------------| C|14-15-17-------------------------------------------|
14-18 frets • 17 note position run
Position 5 Tab
D#|------------------------------------------20-21-| A#|---------------------------------19-21-22-------| F|---------------------18-19-21-22----------------| C|---------------19-20----------------------------| G|------19-20-22----------------------------------| C|19-20-------------------------------------------|
18-22 frets • 16 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- G
- G#
- B
- C
- D
- D#
- F
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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