DADGAD left-handed scale chart
A Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
A Whole Tone in DADGAD tuning gives you the notes A, B, C#, D#, F, G across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
12-16 frets in mirrored left-handed view
17-21 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------1--3--| A|---------------------------0-----2--4--------| G|---------------------0--2-----4--------------| D|---------------1--3--------------------------| A|------0--2--4--------------------------------| D|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
D|---------------------------------------1--3--| A|---------------------------0-----2--4--------| G|---------------------0--2-----4--------------| D|---------------1--3--------------------------| A|------0--2--4--------------------------------| D|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
D|------------------------------------5--7--9--| A|------------------------------6--8-----------| G|------------------------6--8-----------------| D|---------------5--7--9-----------------------| A|---------6--8--------------------------------| D|5--7--9--------------------------------------|
5-9 frets • 15 note position run
Position 3 Tab
D|---------------------------------------11-13-| A|---------------------------10----12-14-------| G|---------------------10-12----14-------------| D|---------------11-13-------------------------| A|------10-12-14-------------------------------| D|11-13----------------------------------------|
10-14 frets • 15 note position run
Position 4 Tab
D|---------------------------------------13-15-| A|---------------------------12----14-16-------| G|---------------------12-14----16-------------| D|---------------13-15-------------------------| A|------12-14-16-------------------------------| D|13-15----------------------------------------|
12-16 frets • 15 note position run
Position 5 Tab
D|------------------------------------17-19-21-| A|------------------------------18-20----------| G|------------------------18-20----------------| D|---------------17-19-21----------------------| A|---------18-20-------------------------------| D|17-19-21-------------------------------------|
17-21 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- A
- B
- C#
- D#
- F
- G
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Library