DADGAD left-handed scale chart
F Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
F Whole Tone in DADGAD tuning gives you the notes F, G, A, B, C#, D# across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
1-5 frets in mirrored left-handed view
6-10 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|------------------------------------1--3--5--| A|------------------------------2--4-----------| G|------------------------2--4-----------------| D|---------------1--3--5-----------------------| A|---------2--4--------------------------------| D|1--3--5--------------------------------------|
1-5 frets • 15 note position run
Position 1 Tab
D|------------------------------------1--3--5--| A|------------------------------2--4-----------| G|------------------------2--4-----------------| D|---------------1--3--5-----------------------| A|---------2--4--------------------------------| D|1--3--5--------------------------------------|
1-5 frets • 15 note position run
Position 2 Tab
D|---------------------------------------7--9--| A|---------------------------6-----8--10-------| G|---------------------6--8-----10-------------| D|---------------7--9--------------------------| A|------6--8--10-------------------------------| D|7--9-----------------------------------------|
6-10 frets • 15 note position run
Position 3 Tab
D|---------------------------------------9--11-| A|---------------------------8-----10-12-------| G|---------------------8--10----12-------------| D|---------------9--11-------------------------| A|------8--10-12-------------------------------| D|9--11----------------------------------------|
8-12 frets • 15 note position run
Position 4 Tab
D|------------------------------------13-15-17-| A|------------------------------14-16----------| G|------------------------14-16----------------| D|---------------13-15-17----------------------| A|---------14-16-------------------------------| D|13-15-17-------------------------------------|
13-17 frets • 15 note position run
Position 5 Tab
D|---------------------------------------19-21-| A|---------------------------18----20-22-------| G|---------------------18-20----22-------------| D|---------------19-21-------------------------| A|------18-20-22-------------------------------| D|19-21----------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- F
- G
- A
- B
- C#
- D#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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