DADGAD left-handed scale chart
C Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
C Whole Tone in DADGAD tuning gives you the notes C, D, E, F#, G#, A# across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
Open a page
Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
1-5 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------2--4--| A|---------------------------1-----3--5--------| G|---------------------1--3-----5--------------| D|---------------2--4--------------------------| A|------1--3--5--------------------------------| D|2--4-----------------------------------------|
1-5 frets • 15 note position run
Position 1 Tab
D|---------------------------------------2--4--| A|---------------------------1-----3--5--------| G|---------------------1--3-----5--------------| D|---------------2--4--------------------------| A|------1--3--5--------------------------------| D|2--4-----------------------------------------|
1-5 frets • 15 note position run
Position 2 Tab
D|---------------------------------------4--6--| A|---------------------------3-----5--7--------| G|---------------------3--5-----7--------------| D|---------------4--6--------------------------| A|------3--5--7--------------------------------| D|4--6-----------------------------------------|
3-7 frets • 15 note position run
Position 3 Tab
D|---------------------------------------14-16-| A|---------------------------13----15-17-------| G|---------------------13-15----17-------------| D|---------------14-16-------------------------| A|------13-15-17-------------------------------| D|14-16----------------------------------------|
13-17 frets • 15 note position run
Position 4 Tab
D|---------------------------------------16-18-| A|---------------------------15----17-19-------| G|---------------------15-17----19-------------| D|---------------16-18-------------------------| A|------15-17-19-------------------------------| D|16-18----------------------------------------|
15-19 frets • 15 note position run
Position 5 Tab
D|------------------------------------18-20-22-| A|------------------------------19-21----------| G|------------------------19-21----------------| D|---------------18-20-22----------------------| A|---------19-21-------------------------------| D|18-20-22-------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- C
- D
- E
- F#
- G#
- A#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
Library