Whole Step Down left-handed scale chart
E Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Whole Step Down.
E Phrygian Dominant in Whole Step Down tuning gives you the notes E, F, G#, A, B, C, D across a mirrored left-handed fretboard. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------0--2--3--| A|------------------------------------0--2--3-----------| F|---------------------------0--3--4--------------------| C|------------------0--2--4-----------------------------| G|---------1--2--4--------------------------------------| D|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------0--2--3--| A|------------------------------------0--2--3-----------| F|---------------------------0--3--4--------------------| C|------------------0--2--4-----------------------------| G|---------1--2--4--------------------------------------| D|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------6--7--9--| A|------------------------------------5--7--8-----------| F|---------------------------6--7--9--------------------| C|------------------5--8--9-----------------------------| G|---------5--7--9--------------------------------------| D|6--7--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
D|------------------------------------------9--10-12-| A|------------------------------------11-12----------| F|---------------------------9--11-12----------------| C|------------------9--11-12-------------------------| G|---------9--10-13----------------------------------| D|9--10-12-------------------------------------------|
9-13 frets • 17 note position run
Position 4 Tab
D|---------------------------------------------14-15-18-| A|------------------------------------14-15-17----------| F|---------------------------15-16-18-------------------| C|------------------14-16-17----------------------------| G|---------14-16-17-------------------------------------| D|14-15-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
D|------------------------------------------18-19-21-22-| A|------------------------------------19-20-------------| F|---------------------------18-19-21-------------------| C|---------------------20-21----------------------------| G|------------19-21-22----------------------------------| D|18-19-21-22-------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.
- E
- F
- G#
- A
- B
- C
- D
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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