DADGAD left-handed scale chart
F# Lydian Left-Handed Guitar Scale Chart
Lydian scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
F# Lydian in DADGAD tuning gives you the notes F#, G#, A#, C, C#, D#, F across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. Use the mirrored map to lock the #4 into your visual memory, especially if your default instinct is to reach for a standard major shape from right-handed material.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
2-6 frets in mirrored left-handed view
7-11 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------3--4--6--| A|---------------------------------3-----4--6-----------| G|---------------------------3--5-----6-----------------| D|------------------3--4--6-----------------------------| A|---------3--4--6--------------------------------------| D|3--4--6-----------------------------------------------|
2-6 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------3--4--6--| A|---------------------------------3-----4--6-----------| G|---------------------------3--5-----6-----------------| D|------------------3--4--6-----------------------------| A|---------3--4--6--------------------------------------| D|3--4--6-----------------------------------------------|
2-6 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------8--10-11-| A|---------------------------------8-----9--11----------| G|---------------------------8--10----11----------------| D|------------------8--10-11----------------------------| A|---------8--9--11-------------------------------------| D|8--10-11----------------------------------------------|
7-11 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------10-11-13-| A|---------------------------------9-----11-13----------| G|---------------------------10-11----13----------------| D|------------------10-11-13----------------------------| A|---------9--11-13-------------------------------------| D|10-11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------15-16-18-| A|---------------------------------15----16-18----------| G|---------------------------15-17----18----------------| D|------------------15-16-18----------------------------| A|---------15-16-18-------------------------------------| D|15-16-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------18-20-22-| A|---------------------------------18----20-21----------| G|---------------------------18-20----22----------------| D|------------------18-20-22----------------------------| A|---------18-20-21-------------------------------------| D|18-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Lydian feels bright, suspended and floating and is useful for soundtrack textures, dreamy leads and wide-interval melodies.
The chart mirrors the neck, but the interval formula and tab stay identical to standard notation, so you can compare lessons without confusion.
Feature the #4 early so the mode sounds Lydian rather than plain major
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- F#
- G#
- A#
- C
- C#
- D#
- F
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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