Double Drop D left-handed scale chart
G# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Double Drop D.
G# Phrygian Dominant in Double Drop D tuning gives you the notes G#, A, C, C#, D#, E, F# across a mirrored left-handed fretboard. Double Drop D creates matching outer-string anchors, which is useful for fingerstyle and droning lines that left-handed players often have to translate from right-handed examples. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
7-11 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
16-20 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|------------------------------------------1--2--4--| B|---------------------------------1--2--4-----------| G|---------------------------1--2--------------------| D|------------------1--2--4--------------------------| A|---------0--3--4-----------------------------------| D|1--2--4--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
D|------------------------------------------1--2--4--| B|---------------------------------1--2--4-----------| G|---------------------------1--2--------------------| D|------------------1--2--4--------------------------| A|---------0--3--4-----------------------------------| D|1--2--4--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
D|---------------------------------------------7--10-11-| B|------------------------------------7--9--10----------| G|---------------------------8--9--11-------------------| D|------------------7--10-11----------------------------| A|---------7--9--11-------------------------------------| D|7--10-11----------------------------------------------|
7-11 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------10-11-13-| B|------------------------------------9--10-13----------| G|---------------------------9--11-13-------------------| D|------------------10-11-13----------------------------| A|---------9--11-12-------------------------------------| D|10-11-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------16-18-19-| B|------------------------------------16-17-19----------| G|---------------------------17-18-20-------------------| D|------------------16-18-19----------------------------| A|---------16-18-19-------------------------------------| D|16-18-19----------------------------------------------|
16-20 frets • 18 note position run
Position 5 Tab
D|------------------------------------------18----19-22-| B|------------------------------------19-21----22-------| G|---------------------------18-20-21-------------------| D|------------------18-19-22----------------------------| A|---------18-19-21-------------------------------------| D|18-19-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Double Drop D feels symmetrical on the outside strings and strong for drones. It opens up mirrored shapes at the top and bottom of the fretboard.
- G#
- A
- C
- C#
- D#
- E
- F#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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