Drop D left-handed scale chart
G# Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in Drop D.
G# Whole Tone in Drop D tuning gives you the notes G#, A#, C, D, E, F# across a mirrored left-handed fretboard. Drop D leaves most of the neck familiar but changes the bass side immediately, which is especially relevant for left-handed players who use mirrored rhythm charts. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|------------------------------------0--2--4--| B|------------------------------1--3-----------| G|------------------------1--3-----------------| D|---------------0--2--4-----------------------| A|---------1--3--------------------------------| D|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
E|------------------------------------0--2--4--| B|------------------------------1--3-----------| G|------------------------1--3-----------------| D|---------------0--2--4-----------------------| A|---------1--3--------------------------------| D|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
E|------------------------------------4--6--8--| B|------------------------------5--7-----------| G|------------------------5--7-----------------| D|---------------4--6--8-----------------------| A|---------5--7--------------------------------| D|4--6--8--------------------------------------|
4-8 frets • 15 note position run
Position 3 Tab
E|---------------------------------------10-12-| B|------------------------------9--11-13-------| G|---------------------9--11-13----------------| D|---------------10-12-------------------------| A|------9--11-13-------------------------------| D|10-12----------------------------------------|
9-13 frets • 15 note position run
Position 4 Tab
E|------------------------------------14-16-18-| B|------------------------------15-17----------| G|------------------------15-17----------------| D|---------------14-16-18----------------------| A|---------15-17-------------------------------| D|14-16-18-------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
E|------------------------------------18-20-22-| B|------------------------------19-21----------| G|------------------------19-21----------------| D|---------------18-20-22----------------------| A|---------19-21-------------------------------| D|18-20-22-------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
Drop D feels heavier on the low end while staying familiar on the top five strings. It makes low-string riffs and one-finger power movement faster to understand in left-handed view.
- G#
- A#
- C
- D
- E
- F#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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