DADGAD left-handed scale chart
G# Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
G# Whole Tone in DADGAD tuning gives you the notes G#, A#, C, D, E, F# across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
11-15 frets in mirrored left-handed view
16-20 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|------------------------------------0--2--4--| A|------------------------------1--3-----------| G|------------------------1--3-----------------| D|---------------0--2--4-----------------------| A|---------1--3--------------------------------| D|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
D|------------------------------------0--2--4--| A|------------------------------1--3-----------| G|------------------------1--3-----------------| D|---------------0--2--4-----------------------| A|---------1--3--------------------------------| D|0--2--4--------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
D|------------------------------------4--6--8--| A|------------------------------5--7-----------| G|------------------------5--7-----------------| D|---------------4--6--8-----------------------| A|---------5--7--------------------------------| D|4--6--8--------------------------------------|
4-8 frets • 15 note position run
Position 3 Tab
D|---------------------------------------10-12-| A|---------------------------9-----11-13-------| G|---------------------9--11----13-------------| D|---------------10-12-------------------------| A|------9--11-13-------------------------------| D|10-12----------------------------------------|
9-13 frets • 15 note position run
Position 4 Tab
D|---------------------------------------12-14-| A|---------------------------11----13-15-------| G|---------------------11-13----15-------------| D|---------------12-14-------------------------| A|------11-13-15-------------------------------| D|12-14----------------------------------------|
11-15 frets • 15 note position run
Position 5 Tab
D|------------------------------------16-18-20-| A|------------------------------17-19----------| G|------------------------17-19----------------| D|---------------16-18-20----------------------| A|---------17-19-------------------------------| D|16-18-20-------------------------------------|
16-20 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- G#
- A#
- C
- D
- E
- F#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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