C Standard left-handed chord chart
Dmaj7 Left-Handed Guitar Chord Chart
Major 7 chord voicings, mirrored lefty grip charts and standard tab references in C Standard.
Dmaj7 uses the notes D, F#, A, C# and is shown here as a mirrored left-handed chord chart. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Open a page
Chord boxes are mirrored for left-handed guitar. Tab and low-to-high shape notation remain standard so common lessons still translate.
Primary Chart
Chord View
Major 7 open-position chart (frets 1-5)
Major 7 open-position chart (frets 1-5)
Major 7 voicing around frets 13-17
Major 7 voicing around frets 9-13
Standard Reference
Tab & Shape Readout
Standard Tab Reference
Left-handed shape (high -> low): 1 2 3 3 1 2 Chord tones: D F# A C# C|-1-| G|-2-| D#|-3-| A#|-3-| F|-1-| C|-2-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 2 2 3 3 1 2 Chord tones: D F# A C# C|-2-| G|-2-| D#|-3-| A#|-3-| F|-1-| C|-2-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 13 14 15 15 13 14 Chord tones: D F# A C# C|-13-| G|-14-| D#|-15-| A#|-15-| F|-13-| C|-14-|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Standard Tab Reference
Left-handed shape (high -> low): 9 11 10 11 9 x Chord tones: D F# A C# C|-9--| G|-11-| D#|-10-| A#|-11-| F|-9--| C|-x--|
Mirrored left-handed chord box on top, stacked standard tab reference below.
Context
How To Use This Page
Major 7 feels lush, polished and sophisticated and works for neo-soul, jazz-pop, chord melody and atmospheric harmony.
Mirrored diagrams matter here because the inner-string note placement is easy to misread when you are learning from right-handed chord books.
Let notes ring but do not squeeze; these voicings sound better with even pressure than brute force
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- D
- F#
- A
- C#
Next Step
Matching Left-Handed Scales
Use these scale pages to move from the chord into lead work without leaving the same tuning and key centre.
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