DADGAD left-handed scale chart
F Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
F Phrygian Dominant in DADGAD tuning gives you the notes F, F#, A, A#, C, C#, D# across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
1-5 frets in mirrored left-handed view
6-10 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------1--3--4--| A|---------------------------------1-----3--4-----------| G|---------------------------2--3-----5-----------------| D|------------------1--3--4-----------------------------| A|---------1--3--4--------------------------------------| D|1--3--4-----------------------------------------------|
1-5 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------1--3--4--| A|---------------------------------1-----3--4-----------| G|---------------------------2--3-----5-----------------| D|------------------1--3--4-----------------------------| A|---------1--3--4--------------------------------------| D|1--3--4-----------------------------------------------|
1-5 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------7--8--10-| A|---------------------------------6-----8--9-----------| G|---------------------------6--8-----10----------------| D|------------------7--8--10----------------------------| A|---------6--8--9--------------------------------------| D|7--8--10----------------------------------------------|
6-10 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------8--10-11-| A|---------------------------------8-----9--12----------| G|---------------------------8--10----11----------------| D|------------------8--10-11----------------------------| A|---------8--9--12-------------------------------------| D|8--10-11----------------------------------------------|
8-12 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------13-15-16-| A|---------------------------------13----15-16----------| G|---------------------------14-15----17----------------| D|------------------13-15-16----------------------------| A|---------13-15-16-------------------------------------| D|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
D|---------------------------------------------19-20-22-| A|---------------------------------18----20-21----------| G|---------------------------18-20----22----------------| D|------------------19-20-22----------------------------| A|---------18-20-21-------------------------------------| D|19-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- F
- F#
- A
- A#
- C
- C#
- D#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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