Standard left-handed scale chart
F# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Standard.
F# Phrygian Dominant in Standard tuning gives you the notes F#, G, A#, B, C#, D, E across a mirrored left-handed fretboard. Standard tuning keeps the usual string relationships intact, so it is the easiest place to compare left-handed charts with mainstream tab and lesson content. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
E|---------------------------------------------0--2--3--| B|------------------------------------0--2--3-----------| G|---------------------------0--3--4--------------------| D|------------------0--2--4-----------------------------| A|---------1--2--4--------------------------------------| E|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
E|---------------------------------------------0--2--3--| B|------------------------------------0--2--3-----------| G|---------------------------0--3--4--------------------| D|------------------0--2--4-----------------------------| A|---------1--2--4--------------------------------------| E|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
E|---------------------------------------------6--7--9--| B|------------------------------------5--7--8-----------| G|---------------------------6--7--9--------------------| D|------------------5--8--9-----------------------------| A|---------5--7--9--------------------------------------| E|6--7--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
E|------------------------------------------9--10-12-| B|------------------------------------11-12----------| G|---------------------------9--11-12----------------| D|------------------9--11-12-------------------------| A|---------9--10-13----------------------------------| E|9--10-12-------------------------------------------|
9-13 frets • 17 note position run
Position 4 Tab
E|---------------------------------------------14-15-18-| B|------------------------------------14-15-17----------| G|---------------------------15-16-18-------------------| D|------------------14-16-17----------------------------| A|---------14-16-17-------------------------------------| E|14-15-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
E|------------------------------------------18-19-21-22-| B|------------------------------------19-20-------------| G|---------------------------18-19-21-------------------| D|---------------------20-21----------------------------| A|------------19-21-22----------------------------------| E|18-19-21-22-------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Standard feels balanced, familiar and easy to compare with lesson material. It lets you focus on left-handed visual translation without also learning a new tuning layout.
- F#
- G
- A#
- B
- C#
- D
- E
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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