C Standard left-handed scale chart
B Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
B Whole Tone in C Standard tuning gives you the notes B, C#, D#, F, G, A across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------1--3--| G|------------------------------0--2--4--------| D#|---------------------0--2--4-----------------| A#|---------------1--3--------------------------| F|------0--2--4--------------------------------| C|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
C|---------------------------------------1--3--| G|------------------------------0--2--4--------| D#|---------------------0--2--4-----------------| A#|---------------1--3--------------------------| F|------0--2--4--------------------------------| C|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
C|---------------------------------------5--7--| G|------------------------------4--6--8--------| D#|---------------------4--6--8-----------------| A#|---------------5--7--------------------------| F|------4--6--8--------------------------------| C|5--7-----------------------------------------|
4-8 frets • 15 note position run
Position 3 Tab
C|------------------------------------9--11-13-| G|------------------------------10-12----------| D#|------------------------10-12----------------| A#|---------------9--11-13----------------------| F|---------10-12-------------------------------| C|9--11-13-------------------------------------|
9-13 frets • 15 note position run
Position 4 Tab
C|---------------------------------------15-17-| G|------------------------------14-16-18-------| D#|---------------------14-16-18----------------| A#|---------------15-17-------------------------| F|------14-16-18-------------------------------| C|15-17----------------------------------------|
14-18 frets • 15 note position run
Position 5 Tab
C|---------------------------------------19-21-| G|------------------------------18-20-22-------| D#|---------------------18-20-22----------------| A#|---------------19-21-------------------------| F|------18-20-22-------------------------------| C|19-21----------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- B
- C#
- D#
- F
- G
- A
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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