Whole Step Down left-handed scale chart
C# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Whole Step Down.
C# Phrygian Dominant in Whole Step Down tuning gives you the notes C#, D, F, F#, G#, A, B across a mirrored left-handed fretboard. Whole step down changes the guitar response enough to affect bends, muting and attack, which is useful for heavier left-handed rhythm playing. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------------0--3--4--| A|------------------------------------0--2--4-----------| F|------------------------0--1--3--4--------------------| C|------------------1--2--------------------------------| G|---------1--2--4--------------------------------------| D|0--3--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D|---------------------------------------------0--3--4--| A|------------------------------------0--2--4-----------| F|------------------------0--1--3--4--------------------| C|------------------1--2--------------------------------| G|---------1--2--4--------------------------------------| D|0--3--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D|---------------------------------------------4--6--7--| A|------------------------------------4--5--8-----------| F|---------------------------4--6--8--------------------| C|------------------5--6--8-----------------------------| G|---------4--6--7--------------------------------------| D|4--6--7-----------------------------------------------|
4-8 frets • 18 note position run
Position 3 Tab
D|---------------------------------------------9--11-12-| A|------------------------------------9--11-12----------| F|---------------------------9--12-13-------------------| C|------------------9--11-13----------------------------| G|---------10-11-13-------------------------------------| D|9--11-12----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
D|---------------------------------------------15-16-18-| A|------------------------------------14-16-17----------| F|---------------------------15-16-18-------------------| C|------------------14-17-18----------------------------| G|---------14-16-18-------------------------------------| D|15-16-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
D|------------------------------------------18-19-21-| A|------------------------------------20-21----------| F|---------------------------18-20-21----------------| C|------------------18-20-21-------------------------| G|---------18-19-22----------------------------------| D|18-19-21-------------------------------------------|
18-22 frets • 17 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Whole Step Down feels lower, wider and more elastic under the fingers. It gives familiar fingering a deeper voice without changing interval relationships.
- C#
- D
- F
- F#
- G#
- A
- B
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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