DADGAD left-handed scale chart
D# Whole Tone Left-Handed Guitar Scale Chart
Whole Tone scale notes, mirrored lefty fretboard positions and standard tab in DADGAD.
D# Whole Tone in DADGAD tuning gives you the notes D#, F, G, A, B, C# across a mirrored left-handed fretboard. DADGAD encourages drones and modal movement, which makes mirrored left-handed charts especially useful because familiar standard shapes stop behaving normally. The mirrored map is useful here because the pattern repeats so evenly that left-handed players can lose their place when using right-handed diagrams.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
11-15 frets in mirrored left-handed view
16-20 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D|---------------------------------------1--3--| A|---------------------------0-----2--4--------| G|---------------------0--2-----4--------------| D|---------------1--3--------------------------| A|------0--2--4--------------------------------| D|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 1 Tab
D|---------------------------------------1--3--| A|---------------------------0-----2--4--------| G|---------------------0--2-----4--------------| D|---------------1--3--------------------------| A|------0--2--4--------------------------------| D|1--3-----------------------------------------|
0-4 frets • 15 note position run
Position 2 Tab
D|---------------------------------------5--7--| A|---------------------------4-----6--8--------| G|---------------------4--6-----8--------------| D|---------------5--7--------------------------| A|------4--6--8--------------------------------| D|5--7-----------------------------------------|
4-8 frets • 15 note position run
Position 3 Tab
D|------------------------------------11-13-15-| A|------------------------------12-14----------| G|------------------------12-14----------------| D|---------------11-13-15----------------------| A|---------12-14-------------------------------| D|11-13-15-------------------------------------|
11-15 frets • 15 note position run
Position 4 Tab
D|---------------------------------------17-19-| A|---------------------------16----18-20-------| G|---------------------16-18----20-------------| D|---------------17-19-------------------------| A|------16-18-20-------------------------------| D|17-19----------------------------------------|
16-20 frets • 15 note position run
Position 5 Tab
D|---------------------------------------19-21-| A|---------------------------18----20-22-------| G|---------------------18-20----22-------------| D|---------------19-21-------------------------| A|------18-20-22-------------------------------| D|19-21----------------------------------------|
18-22 frets • 15 note position run
Context
How To Use This Page
Whole Tone feels dreamy, ambiguous and slippery and is useful for outside runs, impressionistic colour and tension before resolution.
Even in a symmetrical scale, the tab remains the stable reference layer while the chart mirrors the left-handed neck.
Use short bursts and clear exits because the symmetry removes a strong tonal centre
DADGAD feels open, droning and harmonically spacious. It rewards left-handed players who want ringing accompaniment and modal colours.
- D#
- F
- G
- A
- B
- C#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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