C Standard left-handed scale chart
D Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
D Phrygian Dominant in C Standard tuning gives you the notes D, D#, F#, G, A, A#, C across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------0--2--3--| G|------------------------------------0--2--3-----------| D#|---------------------------0--3--4--------------------| A#|------------------0--2--4-----------------------------| F|---------1--2--4--------------------------------------| C|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------0--2--3--| G|------------------------------------0--2--3-----------| D#|---------------------------0--3--4--------------------| A#|------------------0--2--4-----------------------------| F|---------1--2--4--------------------------------------| C|0--2--3-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|---------------------------------------------6--7--9--| G|------------------------------------5--7--8-----------| D#|---------------------------6--7--9--------------------| A#|------------------5--8--9-----------------------------| F|---------5--7--9--------------------------------------| C|6--7--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
C|------------------------------------------9--10-12-| G|------------------------------------11-12----------| D#|---------------------------9--11-12----------------| A#|------------------9--11-12-------------------------| F|---------9--10-13----------------------------------| C|9--10-12-------------------------------------------|
9-13 frets • 17 note position run
Position 4 Tab
C|---------------------------------------------14-15-18-| G|------------------------------------14-15-17----------| D#|---------------------------15-16-18-------------------| A#|------------------14-16-17----------------------------| F|---------14-16-17-------------------------------------| C|14-15-18----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
C|------------------------------------------18-19-21-22-| G|------------------------------------19-20-------------| D#|---------------------------18-19-21-------------------| A#|---------------------20-21----------------------------| F|------------19-21-22----------------------------------| C|18-19-21-22-------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- D
- D#
- F#
- G
- A
- A#
- C
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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