C Standard left-handed scale chart
A Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
A Phrygian Dominant in C Standard tuning gives you the notes A, A#, C#, D, E, F, G across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
4-8 frets in mirrored left-handed view
9-13 frets in mirrored left-handed view
14-18 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------1--2--4--| G|------------------------------------0--2--3-----------| D#|---------------------------1--2--4--------------------| A#|------------------0--3--4-----------------------------| F|---------0--2--4--------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------1--2--4--| G|------------------------------------0--2--3-----------| D#|---------------------------1--2--4--------------------| A#|------------------0--3--4-----------------------------| F|---------0--2--4--------------------------------------| C|1--2--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|------------------------------------------4--5--7--| G|------------------------------------6--7-----------| D#|---------------------------4--6--7-----------------| A#|------------------4--6--7--------------------------| F|---------4--5--8-----------------------------------| C|4--5--7--------------------------------------------|
4-8 frets • 17 note position run
Position 3 Tab
C|---------------------------------------------9--10-13-| G|------------------------------------9--10-12----------| D#|---------------------------10-11-13-------------------| A#|------------------9--11-12----------------------------| F|---------9--11-12-------------------------------------| C|9--10-13----------------------------------------------|
9-13 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------14-16-17-| G|------------------------------------14-15-18----------| D#|---------------------------14-16-18-------------------| A#|------------------15-16-18----------------------------| F|---------14-16-17-------------------------------------| C|14-16-17----------------------------------------------|
14-18 frets • 18 note position run
Position 5 Tab
C|---------------------------------------------19-21-22-| G|---------------------------------18-19-21-22----------| D#|------------------------18-19-22----------------------| A#|---------------18-19-21-------------------------------| F|---------20-21----------------------------------------| C|19-21-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- A
- A#
- C#
- D
- E
- F
- G
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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