C Standard left-handed scale chart
C Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
C Phrygian Dominant in C Standard tuning gives you the notes C, C#, E, F, G, G#, A# across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|---------------------------------------------0--1--4--| G|------------------------------------0--1--3-----------| D#|---------------------------1--2--4--------------------| A#|------------------0--2--3-----------------------------| F|---------0--2--3--------------------------------------| C|0--1--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
C|---------------------------------------------0--1--4--| G|------------------------------------0--1--3-----------| D#|---------------------------1--2--4--------------------| A#|------------------0--2--3-----------------------------| F|---------0--2--3--------------------------------------| C|0--1--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
C|---------------------------------------------5--7--8--| G|------------------------------------5--6--9-----------| D#|---------------------------5--7--9--------------------| A#|------------------6--7--9-----------------------------| F|---------5--7--8--------------------------------------| C|5--7--8-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------10-12-13-| G|------------------------------------10-12-13----------| D#|---------------------------10-13-14-------------------| A#|------------------10-12-14----------------------------| F|---------11-12-14-------------------------------------| C|10-12-13----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------16-17-19-| G|------------------------------------15-17-18----------| D#|---------------------------16-17-19-------------------| A#|------------------15-18-19----------------------------| F|---------15-17-19-------------------------------------| C|16-17-19----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
C|---------------------------------------------19-20-22-| G|------------------------------------18-21-22----------| D#|---------------------------19-21-22-------------------| A#|---------------18-19-21-22----------------------------| F|---------19-20----------------------------------------| C|19-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- C
- C#
- E
- F
- G
- G#
- A#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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