C Standard left-handed scale chart
F Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in C Standard.
F Phrygian Dominant in C Standard tuning gives you the notes F, F#, A, A#, C, C#, D# across a mirrored left-handed fretboard. C Standard lowers the whole guitar while keeping interval relationships intact, which is useful for heavy left-handed players who still want logical mirrored charts. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
5-9 frets in mirrored left-handed view
10-14 frets in mirrored left-handed view
15-19 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
C|------------------------------------------0--1--3--| G|------------------------------------2--3-----------| D#|---------------------------0--2--3-----------------| A#|------------------0--2--3--------------------------| F|---------0--1--4-----------------------------------| C|0--1--3--------------------------------------------|
0-4 frets • 17 note position run
Position 1 Tab
C|------------------------------------------0--1--3--| G|------------------------------------2--3-----------| D#|---------------------------0--2--3-----------------| A#|------------------0--2--3--------------------------| F|---------0--1--4-----------------------------------| C|0--1--3--------------------------------------------|
0-4 frets • 17 note position run
Position 2 Tab
C|---------------------------------------------5--6--9--| G|------------------------------------5--6--8-----------| D#|---------------------------6--7--9--------------------| A#|------------------5--7--8-----------------------------| F|---------5--7--8--------------------------------------| C|5--6--9-----------------------------------------------|
5-9 frets • 18 note position run
Position 3 Tab
C|---------------------------------------------10-12-13-| G|------------------------------------10-11-14----------| D#|---------------------------10-12-14-------------------| A#|------------------11-12-14----------------------------| F|---------10-12-13-------------------------------------| C|10-12-13----------------------------------------------|
10-14 frets • 18 note position run
Position 4 Tab
C|---------------------------------------------15-17-18-| G|------------------------------------15-17-18----------| D#|---------------------------15-18-19-------------------| A#|------------------15-17-19----------------------------| F|---------16-17-19-------------------------------------| C|15-17-18----------------------------------------------|
15-19 frets • 18 note position run
Position 5 Tab
C|---------------------------------------------18-21-22-| G|------------------------------------18-20-22----------| D#|------------------------18-19-21-22-------------------| A#|------------------19-20-------------------------------| F|---------19-20-22-------------------------------------| C|18-21-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
C Standard feels low, thick and heavy without dropping interval logic. It keeps the same shape logic while delivering a heavier voice.
- F
- F#
- A
- A#
- C
- C#
- D#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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