Drop C left-handed scale chart
D# Phrygian Dominant Left-Handed Guitar Scale Chart
Phrygian Dominant scale notes, mirrored lefty fretboard positions and standard tab in Drop C.
D# Phrygian Dominant in Drop C tuning gives you the notes D#, E, G, G#, A#, B, C# across a mirrored left-handed fretboard. Drop C changes the whole guitar feel and emphasises the bass side, which is exactly where left-handed players usually need better visual references than mainstream sites provide. The mirrored layout makes the signature b2-to-3 shape much easier to understand if you are copying from right-handed lesson content.
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Charts are mirrored for left-handed players. Standard tablature below stays unchanged because tab does not flip with handedness.
Primary Chart
Scale View
Full neck left-handed mirror view. Use Position 1 first, then move across the smaller windows.
0-4 frets in mirrored left-handed view
3-7 frets in mirrored left-handed view
8-12 frets in mirrored left-handed view
13-17 frets in mirrored left-handed view
18-22 frets in mirrored left-handed view
Standard Reference
Tab & Shape Readout
Position 1 Tab
D#|---------------------------------------------0--1--4--| A#|------------------------------------0--1--3-----------| F|------------------------------2--3--------------------| C|---------------------1--3--4--------------------------| G|---------0--1--3--4-----------------------------------| C|1--3--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 1 Tab
D#|---------------------------------------------0--1--4--| A#|------------------------------------0--1--3-----------| F|------------------------------2--3--------------------| C|---------------------1--3--4--------------------------| G|---------0--1--3--4-----------------------------------| C|1--3--4-----------------------------------------------|
0-4 frets • 18 note position run
Position 2 Tab
D#|---------------------------------------------4--5--7--| A#|------------------------------------3--5--6-----------| F|---------------------------3--5--6--------------------| C|------------------3--4--7-----------------------------| G|---------3--4--6--------------------------------------| C|3--4--7-----------------------------------------------|
3-7 frets • 18 note position run
Position 3 Tab
D#|---------------------------------------------8--10-12-| A#|------------------------------------9--10-12----------| F|---------------------------8--10-11-------------------| C|------------------8--10-11----------------------------| G|---------8--9--12-------------------------------------| C|8--10-11----------------------------------------------|
8-12 frets • 18 note position run
Position 4 Tab
D#|---------------------------------------------13-16-17-| A#|------------------------------------13-15-17----------| F|---------------------------14-15-17-------------------| C|------------------13-15-16----------------------------| G|---------13-15-16-------------------------------------| C|13-15-16----------------------------------------------|
13-17 frets • 18 note position run
Position 5 Tab
D#|---------------------------------------------19-20-22-| A#|------------------------------------18-21-22----------| F|---------------------------18-20-22-------------------| C|------------------19-20-22----------------------------| G|---------18-20-21-------------------------------------| C|19-20-22----------------------------------------------|
18-22 frets • 18 note position run
Context
How To Use This Page
Phrygian Dominant feels bright inside a dark frame, with a strong exotic pull and is useful for metal leads, flamenco-inspired riffs and dominant vamp writing.
Keep the chart for left-handed navigation and the tab for exact sequencing when a phrase gets rhythmically dense.
Feature the jump from b2 to 3 early so the mode reveals itself instantly
Drop C feels dense, aggressive and built for modern heavy rhythm guitar. It pushes mirrored riff shapes into a heavier, more modern register.
- D#
- E
- G
- G#
- A#
- B
- C#
Next Step
Matching Left-Handed Chords
These chord pages use the same tuning and key centre so you can move straight from a scale chart into left-handed rhythm work.
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